Vol. 19 No. 35 (2024): Enero-Junio 2024 | CALLE14: revista de investigación en el campo del arte

Nostalgia for the printed version of Calle14

Pedro Pablo Gómez Moreno

https://doi.org/10.14483/21450706.21244

9-13
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"Prostitute, nun, beauty queen, peasant, hippie, lady, servant and so on": El Colombia Colorof Patricia Bonilla (1979-1985), an analysis

Santiago Rueda Fajardo

https://doi.org/10.14483/21450706.20598

14-26
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Seeing a Vermeer Again: Our Actions on the Painting and the Effects It Causes

Montserrat Sobral Dorado

https://doi.org/10.14483/21450706.20600

28-39
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X, y, z, images of transformation processes in the artistic field: workshop on transit practices

Álvaro Iván Hernández Rodríguez, Óscar Cornago, Daniel del Rio Forero

https://doi.org/10.14483/21450706.20847

40-56
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Explorations on materiality as a line of research in the work of Claudia del Río

Silvia Dolinko

https://doi.org/10.14483/21450706.20601

59-76
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The spaces of memory in Colombia and their contribution to the definition of decolonial aesthesis as alternative aesthetics. Review of two cases: El Salón del Nunca Más y Voces para Transformar a Colombi

Jeimmy Lorena Luengas Bautista

https://doi.org/10.14483/21450706.20433

86-104
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Disney´s cinematographic and audiovisual products are characterized and considered significant due to their extensive media presence since the company’s inception in the early twentieth century. To maintain a consistent viewership throughout the different contextual moments Disney has gone through, the company produces live-action films based on its classic animated cinema. This study critically and cinematically analyzes the first of these productions, namely 101 Dalmatians (1996). Specifically, utilizing the technique of artistic research through the visual essay, it sheds light on the distinct Manichean features of the antagonistic character, Cruella, and highlights the prominent visual motifs that shape her aesthetic portrayal in the film.

Vicente Monleón Oliva

https://doi.org/10.14483/21450706.20314

106-119
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Jewish dance as a historical narrative element in the Jewish-Mexican community to preserve their culture

Raquel Tronllan Halabe

https://doi.org/10.14483/21450706.20172

120-131
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Jam Session, Sociology and History of Jazz: a literature review

Ricardo Nuno Futre Pinheiro

https://doi.org/10.14483/21450706.20714

132-144
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The business model of chamber music, symphony and lyric singing in Bogotá

Sergio Iván Barbosa Ocampo, Mónica Silvana María Varón Parra, Luz Alexandra Montoya Restrepo

https://doi.org/10.14483/21450706.20639

146-159
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In dialogue with the context. Configuration process of university extension guidelines of the Proyecto Curricular Arte Danzario.

Ana Cecilia Vargas Nuñez

https://doi.org/10.14483/21450706.20938

160-173
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To the Listening of Echoes of the Past in the Present

Luisa Fernanda Roa Franco

https://doi.org/10.14483/21450706.21243

174-188
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“The trap of Fernando Cepeda: art and life in the security statue”

Santiago Rueda Fajardo

https://doi.org/10.14483/21450706.20602

77-85
- PDF (Español)

Nostalgia for the printed version of Calle14

"Prostitute, nun, beauty queen, peasant, hippie, lady, servant and so on": El Colombia Colorof Patricia Bonilla (1979-1985), an analysis

Seeing a Vermeer Again: Our Actions on the Painting and the Effects It Causes

X, y, z, images of transformation processes in the artistic field: workshop on transit practices

Explorations on materiality as a line of research in the work of Claudia del Río

The spaces of memory in Colombia and their contribution to the definition of decolonial aesthesis as alternative aesthetics. Review of two cases: El Salón del Nunca Más y Voces para Transformar a Colombi

Jewish dance as a historical narrative element in the Jewish-Mexican community to preserve their culture

Jam Session, Sociology and History of Jazz: a literature review

The business model of chamber music, symphony and lyric singing in Bogotá

In dialogue with the context. Configuration process of university extension guidelines of the Proyecto Curricular Arte Danzario.

To the Listening of Echoes of the Past in the Present

“The trap of Fernando Cepeda: art and life in the security statue”

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autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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InformaciónUniversidad Distrital
Francisco José de Caldas
NIT. 899.999.230.7

Redes sociales

Normatividad general

Normatividad académica

Contáctenos

Editorial

Sección Central

Pensamiento sensible

permanente

autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

SÍGUENOS EN:

INDEXACIONES

INFORMACIÓN

Current Issue

Language

Keywords

Normatividad académica