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DOI:
https://doi.org/10.14483/25009311.21513Published:
2023-12-24Issue:
Vol. 10 No. 16 (2024): Enero-Junio 2024Section:
ArtículosEntre extranjeras y nativas: potencias de imágenes cinematográficas en Epicentro y algunas películas colombianas
Entre estrangeiros e nativos: potências das imagens cinematográficas no epicentro e alguns filmes colombianos
Between foreign and native: power of cinematographic images in Epicentro and in some Colombian films
Keywords:
cinema, foreign, native, image, surreal, utopia, childhood (es).Keywords:
Film, foreign, native, image, surreal, utopia, childhood (en).Keywords:
Cinema, estrangeiro, nativo, imagem, surreal, utopia, infância (pt).Downloads
Abstract (es)
En el presente texto, parto de mi visualización de la película Epicentro (2020) de Hubert Sauper, un austriaco que decidió realizar un documental en La Habana, Cuba. A través de un recorrido por diferentes momentos del filme, reflexiono sobre la relación que tienen las imágenes audiovisuales con esta nación y lo que representa, al igual que acerca de las particularidades que tiene el hecho de que sea un europeo quien filma en un país latinoamericano. Intercaladamente planteo unos paralelos entre el caso de esta película y algunas de la filmografía colombiana que, a mi parecer, permiten aproximarse a ese cruce entre lo nativo, lo extranjero y las imágenes. A lo largo del texto se ejemplifica y reflexiona sobre posibles tensiones y potencias que emergen de dicho cruce.
Abstract (en)
In the present text, I start from my viewing of the film Epicentro (2020) by Hubert Sauper, an Austrian who decided to make a documentary in La Habana, Cuba. Through a journey among different moments of the film, I reflect on the relationship that audiovisual images have with this nation and what it represents, as well as the particularities of the fact that it is a European who films in a Latin American country. Alternately, I raise some parallels between the case of this film and some of the Colombian filmography that, in my opinion, allow us to approach this intersection between the native, the foreign and the images. Along the text, possible tensions and powers that emerge from this intersection are exemplified and reflected on.
Abstract (pt)
Neste texto parto da visualização do filme Epicentro (2020) de Hubert Sauper, um austríaco que decidiu fazer um documentário em Havana, Cuba. Através de um percurso por diferentes momentos do filme, reflito sobre a relação que as imagens audiovisuais têm com esta nação e o que ela representa, bem como as particularidades do facto de ser um europeu quem filma num país latino-americano. Alternadamente, levanto alguns paralelos entre o caso deste filme e alguns da filmografia colombiana que, na minha opinião, nos permitem abordar essa intersecção entre o nativo, o estrangeiro e as imagens. Ao longo do texto, são exemplificadas e refletidas possíveis tensões e potências que emergem dessa intersecção.
References
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Weerasethakul, A. (Director). (2021). Memoria[Película]. Kick the Machine; Burning Blue; Piano Producciones; Illuminations Films; Anna Sanders Films
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