Vol. 18 No. 33 (2023): Enero-Junio 2023 | CALLE14: revista de investigación en el campo del arte

View Vol. 18 No. 33 (2023): Enero-Junio 2023

Published: 2023-01-02

Ways of doing instead of methods in research-creation

Pedro Pablo Gómez Moreno

https://doi.org/10.14483/21450706.19936

10-13

Acting between the real and the fictional, between the character and the personal

Sandra Camacho López

https://doi.org/10.14483/21450706.19937

14-25
From kinetic space to neoconcrete space: The background of installation art in Latin America

Rodrigo Bruna

https://doi.org/10.14483/21450706.19938

25-38
Theoretical-conceptual reflections for the creation of a Dance-Theater curriculum

Juan Pablo González Leal, Dora Inés López Molina, Diana Lucia León Bohórquez, Johan Rodríguez Chaparro

https://doi.org/10.14483/21450706.19939

40-53
From the useful to the beautiful. Beginnings of the history of the concept art in Colombia: Urdaneta, Cano and Santamaría

Ana María Rodríguez Sierra

https://doi.org/10.14483/21450706.19940

54-71
Ascension symbols in children’s art

Belén León-Río

https://doi.org/10.14483/21450706.19941

72-90
Contemporary Spanish dance in unconventional spaces: Daniel Doña

María Cabrera Fructuoso

https://doi.org/10.14483/21450706.19942

92-106
Comicality and the language of soma: Autoethnographic reflection of two clowns in Academia

Catalina Del Castillo Silva , Jorge Mario Escobar Munévar

https://doi.org/10.14483/21450706.19943

108-120
Pain as an image of reality. Resignification of CG-art through the use of medical diagnostic techniques

Mario Ocaña , Angélica Marengla León Álvarez, Alejandro García Carranco

https://doi.org/10.14483/21450706.19944

122-138
A luggage of dreams in the work of Víctor Hugo Rascón Banda

Isabel Cristina Flores Hernández

https://doi.org/10.14483/21450706.19945

140-154
Peace and artistic transcoding: the case of Colombia

Alejandra Toro Calonje

https://doi.org/10.14483/21450706.19946

156-171
Iconology, visual culture and research-creation

Mario Madroñero Morillo, Enma Campozano Aviles

https://doi.org/10.14483/21450706.19947

172-191
A citizenship trained in the theater... in and after times of pandemic

Ana Victoria Jiménez Contreras, Joshua Martín Galicia Guevara

https://doi.org/10.14483/21450706.19948

192-201

Ways of doing instead of methods in research-creation

Acting between the real and the fictional, between the character and the personal

From kinetic space to neoconcrete space: The background of installation art in Latin America

Theoretical-conceptual reflections for the creation of a Dance-Theater curriculum

From the useful to the beautiful. Beginnings of the history of the concept art in Colombia: Urdaneta, Cano and Santamaría

Ascension symbols in children’s art

Contemporary Spanish dance in unconventional spaces: Daniel Doña

Comicality and the language of soma: Autoethnographic reflection of two clowns in Academia

Pain as an image of reality. Resignification of CG-art through the use of medical diagnostic techniques

A luggage of dreams in the work of Víctor Hugo Rascón Banda

Peace and artistic transcoding: the case of Colombia

Iconology, visual culture and research-creation

A citizenship trained in the theater... in and after times of pandemic

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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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InformaciónUniversidad Distrital
Francisco José de Caldas
NIT. 899.999.230.7

Redes sociales

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Editorial

Sección Central

permanente

autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

SÍGUENOS EN:

INDEXACIONES

INFORMACIÓN

Current Issue

Language

Keywords

Normatividad académica