Vol. 16 No. 30 (2021): Julio-Diciembre de 2021 | CALLE14: revista de investigación en el campo del arte

View Vol. 16 No. 30 (2021): Julio-Diciembre de 2021

Published: 2021-07-30

Contemporary Latin American photography: imaginaries, archives and memory. An approach to the work of Milagros De la Torre

Leticia Rigat

https://doi.org/10.14483/21450706.18297

220-235
Narco-aesthetics in Chile: Body language and visual and cultural imaginaries of vulnerable students from a high school in Santiago

Rodrigo Andrés Aravena Otárola , Mario Edgardo González Berríos, Rubén Ignacio Dittus Benavente , Eliana Verónica Romo López

https://doi.org/10.14483/21450706.18299

236-250
Crisis of criticism. On theater criticism in Bogotá

Daniela Galvis Delgado

https://doi.org/10.14483/21450706.18300

252-261
“Now that the old has become modern”: the pioneers of the new tango song in the nineties

Julia Winokur

https://doi.org/10.14483/21450706.18298

262-275
Mergers and acquisitions: The case of São Paulo

Adrià Harillo Pla

https://doi.org/10.14483/21450706.18301

278-296
Primary Circular Movement: A fundamental vector in the history of academic composition

José Agustín Staneff

https://doi.org/10.14483/21450706.18302

300-310
Market strategies of the plastic and visual arts management ecosystem in Medellín

Laura Rojas De Francisco

https://doi.org/10.14483/21450706.18303

312-328
The Role of Warhol’s Brillo soap boxes on the Contemporary Aesthetics, based on the “Applied Ontology” Theory of Roger Pouivet

Hoda Zabolinezhad, Parisa Shad Qazvini

https://doi.org/10.14483/21450706.18304

330-342
Minor communication as a form of resistanc

Elena Sánchez Velandia

https://doi.org/10.14483/21450706.18305
Contributions from the Prácticas del Fracaso to the emerging field of art studies

Juan Fernando Cáceres Jaramillo

https://doi.org/10.14483/21450706.18306

361- 373
Research-create: Seeking modes of happening while researching with arts and literature

John Echavarría Cañas, Teresita Ospina Álvarez

https://doi.org/10.14483/21450706.18307

376-390
Of deaths, circles and hands: the audiovisual in Circus (1989) by Margarita Becerra Cano

Juan Carlos Guerrero-Hernández

https://doi.org/10.14483/21450706.18308

392-407
Singularity and industrial technique in the artistic production of Alexander Rodchenko

Enrique Andrés Morales Garrido

https://doi.org/10.14483/21450706.18309

405-412

Contemporary Latin American photography: imaginaries, archives and memory. An approach to the work of Milagros De la Torre

Narco-aesthetics in Chile: Body language and visual and cultural imaginaries of vulnerable students from a high school in Santiago

Crisis of criticism. On theater criticism in Bogotá

“Now that the old has become modern”: the pioneers of the new tango song in the nineties

Mergers and acquisitions: The case of São Paulo

Primary Circular Movement: A fundamental vector in the history of academic composition

Market strategies of the plastic and visual arts management ecosystem in Medellín

The Role of Warhol’s Brillo soap boxes on the Contemporary Aesthetics, based on the “Applied Ontology” Theory of Roger Pouivet

Minor communication as a form of resistanc

Contributions from the Prácticas del Fracaso to the emerging field of art studies

Research-create: Seeking modes of happening while researching with arts and literature

Of deaths, circles and hands: the audiovisual in Circus (1989) by Margarita Becerra Cano

Singularity and industrial technique in the artistic production of Alexander Rodchenko

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Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

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Francisco José de Caldas
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permanente

autores

Calle 14: Revista de investigación en el campo del arte

ISSN: 2011-3757

E-ISSN:2145-0706

SÍGUENOS EN:

INDEXACIONES

INFORMACIÓN

Current Issue

Language

Keywords

Normatividad académica